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Philippa Ballantine - Author

Award-winning Author of fantasy, science fiction, and steampunk

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In Love with the Imaginary

So right now, if you are on any kind of social media you will see the outrage about Captain America.

If you have somehow managed to avoid it, SPOILER ALERT…

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In the latest comic, Captain America is revealed to have been a Hydra agent this whole time. Yes, creators just made Cap a Nazi.

This has brought about an outpouring outrage from many, and a great deal of sighing and eye rolling from the ‘it’s just an imaginary character’ crowd.

Yes, Marvel owns their characters, and the copyright to everything he’s in…but he also is a beloved character that lots of people have embraced in deep ways that others can probably find very hard to understand.

Ever since Hercules performed his tasks, and Beowulf took on Grendel, people have been drawing strength and inspiration from imaginary characters. Maybe they recall Captain America’s moral integrity when being tested, or his determination when he was just a 90lb weakling trying to serve his country.

Stories after all from their beginnings around the camp fire, have been a way to learn about how to deal with a world set against us. Heroes like Beowulf and Grendel after all would not have persisted throughout so many generations if they didn’t have something deep and important to offer.

It isn’t ours to judge what people get out of characters. Even as writers our own creations, once they are out in the world, are absorbed into the readers in very deep ways. They cease to belong to us, and become personal to the reader. They develop meanings and importance to this wider group of people than we can ever have imagined. They teach things about perserverance, hope, and morals, and inspire those in others.

As a writer I cannot imagine a higher honour than someone I wrote about caring so much about a character that it becomes so beloved. It is hard as an author or an artist to grasp that sometimes. We love them, we create them, and sometimes it is hard to grasp that characters life meaning so much to a reader.

So when something like this Captain American furore breaks out, I actually like it, because it shows that humans are still invested in this imagined things. They still matter, no matter how much technology we surround ourselves with. The grubby, frightened human gathering around the campfire is still within us, looking for strength where ever they can find it.

I feel sure there is some switchero that Marvel is going to pull—but in the end, that doesn’t really matter. The important bits of Captain America, reside in those that care about him passionately, and no matter what the latest writer working on this iteration says, he can’t touch that.

People have fallen in love with someone imaginary, and made him real. As a writer that is a beautiful thing. The rest is all noise.

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Historical research for authors

Before becoming a full-time writer, I spent thirteen years working as a research librarian in the corporate environment. My favourite part of the job was hunting down answers to questions, and I have kept hold of that passion throughout my writing career.

If you notice a lot of my writing is involved in history, and even the fantasy series like the Books of the Order are based off of it. I have always been fascinated by people who lived in the past, what they experienced and what they thought. Also, for a writer looking at history, its politics and events. In the last episode of behind the scenes in Game of Thrones for example, they talked about basing a lot of the struggles against slavery, around how Abraham Lincoln tried to find a diplomatic solution with the South first.

So how does one go about researching? Well let’s dive in to how I approach it.

The Broad Brush

First I like to get a broad understanding of what was going on. So right now, I am in the midst of researching New York City in the Gilded Age. So first I hit Wikipedia…now don’t start foaming at the mouth.

If this was way back when I was at university, I would have gone to an encyclopedia to get a broad overview, but right here and now Wikipedia is just the same. Be aware that it is crowd-sourced information, so don’t just take it as gospel. However for broad sweeps it is a great way to jump in and get a lay of the lan.

Note down dates, and important people since these will the be tentpoles your story revolves around. Keep an eye out for little nuggets of information that fascinate you. My Iron Lily concept came from another project I was researching, when I came across information about strong-women of the nineteenth century. I believe my eye might have lit up from the inside…

Organize Now!

Organization is paramount now, here at the beginning, before you get buried in all sorts of interesting facts.

For first drafts I work in Scrivener, and I find this is a great way to keep all your notes organized. I make new folders for characters, places, and events.

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Down to the Nitty Gritty

Now that I have a broad overview, I want to get down and dirty with the history. To get a real feel and texture for the place, I head to Pinterest. What…another indrawn breath? Seriously, if you are looking for images of the past, Pinterest is a great place. Also fashion, including historical fashion, is easy to find on Pinterest. Here is my board of pinned images for New York City as an example.  I also tend to make my own Pins if I find anything offline.

If I am lucky and working in an appropriate timeline, I may even find things on Youtube. Working on the Ministry of Peculiar Occurrences series, I found some wonderful early footage of London street scenes. Moving images are pretty unlikely if your book is set in the Viking age though…sorry…

Now we start to get down into the nitty gritty. What we’ve been dealing with is all secondary sources, but if you are lucky enough to find them, you can’t get better than primary sources. For example, for the Iron Lily, I was hipped onto a book by Leanna Renee Hieber, called King’s Handbook of New York City – 1892. Bliss! If the area you are writing in is not as large and well documented, you can probably still find primary sources, like diaries or images at a local library or museum. Even if they are small they will be concentrated on your area. If you get a chance talk to someone at the museum. When I was working on Chasing the Bard I visited Shakespeare’s birthplace, and was able to clarify some facts about his father’s glove selling business.

Go There…virtually or otherwise

Finally, the last piece of research which can’t be found online, is going there. At the end of this month, I’ll be traveling to NYC. I’ve been there before, but for a couple of days I want to immerse myself in what remains of the Gilded Age. I plan on hitting the Musuem of New York City, but I would also like to stand in the places where my characters will go. Even seperated by time there is nothing to compare to going to a place. And hey, if you are making money off it, tax deduction! If you cannot realistically get to a place, then go online. Look at the streets if they have been mapped by Google. Search out travelers who have been there and read their blogs, and look at their images. We are so lucky to live in an age where we can access such information, and for a writer it is pretty heady stuff.

Fantasy and Romance, and the grey space in between

Having just returned from the RT Booklovers Convention, I have spent the last few weeks musing over the differences and similarities between romance and fantasy and science fiction.

You see, here is my confession. When I was a teenager, probably about sixteen, I purchased my first romance novel to read. Now, I was a huge speculative fiction addict, and I grew up reading my Dad’s Norton, McCaffrey, and Cherryh. Still, I wanted to try something different, and the allure was there. So I purchased my first foray into romance with the secretiveness most people reserve for their first adult literature.

I remember the cover, but not the title. It was blazoned red, with a swooning woman in a half-naked man’s arms. Her bodice was half-off so it certainly lived up to the ideal of a bodice ripper. As a teenager it was heady stuff. The lure of the adult world.

I even ventured into Barbara Cartland territory, since I loved to read about history.

For about six months I read all the romance I could get my hands on…and then I was done. I discovered all were the same, or so dreadfully similar that I got bored. Just as quickly as I had taken up romance, I gave up on it.

Did I mention this was nearly thirty years ago? Ouch…

Through all that time I held onto the belief that romance was all the same. I admit that even as a female, I kept away from it because of that impression I had formed as a teenager. For some reason in my head, romance was stationary even as other genres moved, changed, developed.

I suspect I had this inherent bias towards the genre that kept me from going back to test the waters again. Until it was that I began to make friends with other authors, others outside my genre.

Then Dawn’s Early Light won the RT Reviewers Choice Award, and I was invited to go to Dallas to accept the award. My bias loomed up again. A romance award? How did we win that? Our books aren’t romance.

I was about to get a massive lesson, and romance was about to beat me about the head with my own ignorance.

What I found out when I got to the convention was a group of authors and readers who were incredibly welcoming. You see, in both speculative fiction and literary fiction crowd previous to this, I have run up against biases, even from people who were relative strangers to me. Hard science fiction readers who roll their eyes at ‘woman’s science fiction’. People who think steampunk is a load of old tosh. People who can’t handle fantasy that deals with ‘issues’, or is just ‘escapist trash’. Yep, there is a lot of judgement to go around.

Also it was also a very female crowd. Women were at least 95% of the attendees. Again, different from the sci fi and fantasy conventions.

But the thing that really struck me was how welcoming they were. The readers I met were interested in what I wrote, even though it would never be marketed as romance. I have always had romantic elements in my books—I think relationships and romance are part of most people’s lives—but these readers didn’t run my books past any sort of test, they didn’t turn up their noses at me.

And then I sat next to Patricia Briggs at an RT panel. Suddenly it was like a light switch went off. If they could accept  her books, which would be called urban fantasy generally, then…hey…maybe there was a place for me at that table.

Because romance is a big table with plenty of room around it. Erotica. Armish. Paranormal. Science fiction. Contemporary. Historical. There is a place for every kind of book.

Ever since the Author’s Guild back in New Zealand turned up their noses at me writing genre, I guess part of me has been anticipating rejection where ever I went. So this broad acceptance is actually heady stuff.

I am aware that there is drama in romance too; authors and/or readers doing foolish things spans every genre. However there is a general air of acceptance I can only admire.

So I am ready to read romance again. After thirty years I am sure things have changed. My question to you as presumably genre readers, are you ready to try along with me?

Once The Ghost Rebellion is out, I am going to get back in and reach outside the genre I’ve kept myself in for so long. I’ll probably make a hashtag and blog about it.

Shall we explore that grey space in between together?

Full time hybrid writer, and full time juggler

juggling knivesThis year is coming up on half done, and already I feel like one of those jugglers with the flaming sticks leaping from hand to hand. One comes down threatening to burn my right, and I have to get another one flying from my left.

However, guess what…I love that feeling. It’s so much better than the opposite, sitting around waiting for things to happen. This year is the year of making them happen.

However being a hybrid author means I not only have writing demands, but also publishing ones.

Here’s a little look at what I am dealing with right at this very moment, just as an idea of what the day to day life of a hybrid writer is like.

Right now, Tee and I are in full flight production of The Ghost Rebellion. It might not look like we are doing much from the other side of this computer screen, but behind the scenes things are moving fast. A print proof copy is on the way to us after we completed layout. We are recording and editing for the audiobook. (Who put so many chapters in this damn thing?) We are also marketing to book bloggers in an effort to get people interested in the fifth book of a series.

Verity Fitzroy and the Ministry Seven book, is coming in September, and Immortal Progeny in December. I’ve pretty much worked out at this stage that four months is a comfortable production schedule for me to get everything done. Becoming a publisher while being a writer at the same time is a steep learning curve—but I feel like I am getting a grip on it finally. Luckily I have some talented friends like Michael Ward, Starla Huchton, Jennifer Melzer and Katie Bryski who I can hire to help out. As an aside it feels good paying your friends for their work!

At the same time we are talking to convention organizers about upcoming events, what we can do, what we can offer. Next up is the Steampunk World’s Fair which should be a blast! At the same time there are anthologies and speaking events to manage and schedule.

Almost forgot to mention, I am also writing and updating two projects at the same time. The Hollywood Sentinels is about 2/3rds written, while the Iron Lily is next up. The words must flow after all! Without words there is no production.

Then there is the constant updating of social media. Facebook. Tumblr. Pinterest. Can’t let those fall down.

Oh and podcasting…

This is all in addition to the regular life stuff like cats, child, house, being a semi-functioning adult…

So yeah, flaming, spinning objects passing from hand to hand.

However, life is movement and change. If a writer—especially a full time one—isn’t busy then there is a serious problem. I feel happier about this situation then doing nothing, though I am sure I’d be able to catch up on my Daredevil watching….but that doesn’t pay the bills.

Luckily in all these endeavors, I have my weapons; iCal, Habitica, and a whole wall of whiteboard. I feel like—after six years of full-time writing—I am finally getting into a proper rhythm or organisation. Thank goodness for shared calendars!

Yes, this is a business, yes, it has to make money, but along the way we writers can still have fun. Personally my goal is to have all those books out there, and begin getting feedback from all the readers and listeners. That’s when all this juggling and struggle really pays off.

For now, I’m just going to keep passing those pointy objects from one hand to another, and enjoy the whole, madcap experience. Being a hybrid writer might not be for everyone, but at least it is never boring!

Romance and Vegas

Rocking outIt has been quite a month!

First the intense writing experience of Smoky Writing Retreat, and then only two weeks later off to Vegas.

RT Book Lovers Convention is one of the biggest gatherings of romance writers in the country, and a full on experience in itself.

It’s also one of those traveling conventions. Last year I attended it when it was in Dallas, where I picked up the Best Steampunk award of 2014 for Dawn’s Early Light, on behalf of myself and Tee Morris.

It was somewhat low key compared to this year. This year was Vegas.

Luckily we had Piper J Drake, Matthew Drake and Starla Huchton as our companions. RT is definately one of those conventions where having friends there makes all the difference. It also meant we got to stay at Piper’s timeshare at the Elara resort. Up on the 53rd floor we felt like rock stars!

 

We warmed up by teaching in the Pre-con Bootcamp. Being surrounded by thirty eager and fired up students was the perfect way to get ready for the con itself. Linnea Sinclair and Damon Suede lead the charge and Tee and I followed.

After two days, the convention proper started. Authors, readers, agents, and publishers all gathered in one place makes for a heady mix. The convention space attached to the Rio was huge, so our Fitbits were certainly happy with our step count.

Another highlight was catching up with Nalini Singh, from New Zealand. Piper and I shared breakfast with her one morning, and we all had a good laugh at the size of my flapjack. Seriously, it was delicious, but it was also as big as a hubcap. A family of four could have eaten off it.

Tee and I were steampunk captains for the event, so we ran that track. It was certainly cheering to see the panels so well attended.

We also took part in the Social Media Fair. It was the first time this event has been held at RT, and it involved handouts and talking to people. I was manning the table for podcasting, and Tee the one for Video. I got a lot of good responses when I asked ‘are you pod-curious?’ Apparently people were. It was fun chatting with them all, though I realized I have been doing podcasting a long time. The surprised looks on their faces when I said I started in 2006! I guess in pod-years I am a veteran…

Just in case you think the whole event was work, work, work, there are also plenty of late night events going on. Tee and I punked up for the Cirque de Punk. It was a celebration of all things punk. Piper went cyber, we went steam. The party was packed, and the entertainment fantastic. I was particularly interested in Hope, who did a silks demonstration, but on chains. Yes, that is far more difficult. She also did an act where she balanced a lithe young man on her hands. It was all very impressive.

Hope balancing

Even better was I got to talk to Hope afterward. She would make a fantastic Iron Lily in the book I am working on. Luckily I got her card just in case it takes off an I need a cover model.

Then our final hurrah for the convention was the Book Fair. Apart from New York Comic Con, or Book Expo America, this event is the largest I have attended. Even at those events, you are usually only on for an hour or so; at this event it is four hours of go, go, go.

We steampunked up for the signing too, and we moved a lot of books. Unfortunately we didn’t have nearly enough of the first book in the Ministry series, Phoenix Rising, and sold out of them in the first hour or so. Still we had a great time, and met up with some fans which was lovely.

This is the kind of event where you come away feeling refreshed and exhausted at the same time. After a chat with one publisher have a new angle for a story and I’m rearing to go.

So thanks Vegas…it was quite the trip…

Cirque de Punk

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