• Skip to main content
  • Skip to secondary navigation
  • Skip to primary sidebar

Philippa Ballantine - Author

Award-winning Author of fantasy, science fiction, and steampunk

  • About
    • Contact Page
  • Works
    • Alien
    • The Ministry of Peculiar Occurrences
    • Verity Fitzroy and the Ministry Seven
    • The Books of the Order
    • The Chronicles of Art
    • The Shifted World
    • Anthologies and Stand Alones
    • Podcasts
  • Blog
  • Pip’s Shop
  • Amazon
  • Facebook
  • Instagram
  • TikTok

admin

The Story Matters

Lately with all the negative and frankly terrifying things in the news, I have been thinking about the importance of story.

In a world of turmoil, how can stories and words possibly matter? As an author you can feel super small in that sea of vitriol and violence. Like you are throwing stones into an endless ocean.

Then I realized the world around us is made up of stories, because we are constantly telling stories to ourselves, as a towns and as nations.

America in the nineteenth century had a powerful story; come  to America, and no matter who you are, with hard work, you can make your dreams a reality. New Zealand around the same time had a different, but similar story; everyone gets a fair go here. In America recently it has become ‘America is the greatest nation in the world’, while New Zealand is ‘the little nation that punches above its weight.’ That’s why NZ loves its All Blacks rugby team; it embodies that story. Soldier Field in Chicago was filled with 60,000 people to see the ABs play. A story can be that powerful.

It’s not just nations, but cities too. Wellington, my hometown, told itself it was in the 1980s and 1990s a boring, grey, only the government kind of spot. Then in the new century, they changed that to arts, culture and a foodie paradise. Detroit in the 1890s was The Paris of the West, then the story became Motor City, then more recently depressed and wrecked. Now it is turning to arts, hope, and a we-can-do it attitude.

So who makes these stories? What winds of change blow through to make these narratives change? It’s a gathering of wills, a change in the mindset of the people. While one person can instigate change, it has to be picked up and carried by the people as a whole. They have to buy into that story and move it forward, making it a reality.

So in our world it is the people that make the change. Right now, it feels like America is still trying to find its new story, and as a writer I can tell you, finding a new story, and working it properly can be difficult.

So in this national emotional turmoil, I still manage to find a story to write, inspired by this storytelling of place and heart. It’s one about that human mind-meld, and a little bit about the spirits of the Fey. (You didn’t think Chasing the Bard was the only story I had to tell with them) It also contains the Iron Lily, my 19th century strong-woman, and an older immigrant grandmother in New York City. It’s about a city finding its story, and who gets to decide what that will be.

It’ll be told in multiple first person stories, a first for me, but one that works well for this story I think.

It’ll be full of the joy, the madness, the beauty and the darkness of New York City, whose history I am falling in love with.

And it will reflect the importance of the stories we tell ourselves and each other. Hope among the shadows.

Cover reveal – Hunter & Fox

Hold on there Pip, is probably what you are thinking. Did you just jump into the Tardis and head back to 2012?

Well, dear reader, we live in a brand new world of publishing, and since I am *ta DAH* a hybrid writer, I love using all kinds of publishing tools to keep the roof over our head.

I write for New York publishing houses, I jump into small press anthologies, and I produce my own work. Hybrid all the way!

In the dim dark past, when you got your rights back for your writing, there was not much else you could do with it. However, in these wonderful days of diversity and agility, we authors can take these books, spruce them up, adjust the price to how we want, give them new covers, and put them out ourselves.

Thus this brand new cover reveal for Hunter & Fox, with Kindred & Wings to follow. I have added into this edition a short story, Dragonsoul, which I wrote to delve into the history the Shifted Worlds. It’s a little bonus for those of you who might already have the novel.

The ebook is available now, and the print editions will follow once I have Kindred & Wings out. Once again Starla had done a wonderful job of giving me a beautiful cover. I just love the burnished effect.

So click here to buy the ebook, or if you use KU you can read the whole thing.

Hunter & Fox

Young Adult and Me

This week is the cover reveal for The Curse of the Silver Pharaoh.

This is the first book Tee and I have written a specifically Young Adult story, and it is a little nerve wracking…after all it is some time since I was a YA myself…quite some time….

However, I do remember the stories I liked reading back then—even if there was no particular category for young adults in those days. I liked stories of people just enough like me to be able to connect with, but with fantastic situations around them.

I loved Ann McCaffrey’s Pern series—growing up with dragons, what’s not to like. I loved Ender’s Game for what it taught me about being different—about how that was OK. I loved Wizard of Earthsea for all the trials and tribulations Sparrowhawk went through to reach his goal—important messages for a child that wanted to become a writer. Not really that dissimilar to becoming an author actually…

I also remember what I didn’t like. Books that talked down to me. Books that were really instruction manuals for how children should grow up, and what rules they should follow. I tried reading books my mother had grown up with, and the only series I did enjoy were The Secret Seven and The Famous Five.

And that’s a bit of the secret; The Ministry Seven have always been equal parts The Baker Street Irregulars and the Famous Five. These days we don’t let our children spend all day on the moors catching criminals, but the orphans on the streets of a steampunk London had far more latitude.

So that’s my hope for Verity and the Seven. That they are fun adventures in the huge world of the Ministry of Peculiar Occurrences. That they meet familiar faces but that they also bring something new to our world; the point of view of a young, intelligent girl, growing up, and figuring out all kinds of mysteries.

So please pre-order right now, and get ready for shenanigans with the Ministry Seven.

Verity Fitzroy and the Ministry Seven have the run of London, and that is the way they like it. 
While she loses herself in machines and adventures, and the work they get from the Ministry of Peculiar Occurrences, why her parents were killed remains a mystery she can’t leave alone. 

When an archaeologist from the British Museum is kidnapped, and the only clue leads to an academy for young engineers, the Ministry sends the Seven in to investigate. What they will find within the walls of the country house, will lead Verity and the Seven down a dangerous path.

The Curse of the Silver Pharaoh

Our friend Old Yeller

In a recent Shared Desk, I talked with Tee Morris and Lauren Harris about quitting on a book. It’s a fun podcast about quite a hard decision. Have a listen if you haven’t already.

However I decided to go into it in bit more depth, since it is a big decision for an author. When should you put a novel away for just some time, and when should you can quits on it completely?

I have trunked many novels, oh so many novels. Usually there is something wrong with the story, and I know it, but can’t quite put my finger on it. So I tuck it away, find something else to work on and get back to it. A little distance from a project, letting it stew if you will, often lets my brain process it, and I can circle back around to it at a later date.

I have never—until now—realized that there is something more fundamentally wrong with it.

This story about Hollywood and Sumerian gods came to me about two years ago. I loved the concept, the characters popped right away, but even when I started writing it, I realized it was a problem child. No big panic. So I put it away as I have done with other books, and decided to come back to it later. And I did. More chapters came out, some of them forced, but I managed to get to about 58,000 words.

Not bad and a good portion of the way to my goal. However, once again it wasn’t feeling right. The characters and concept were still interesting, but the plot was wandering in and out, becoming something else. So away it went again. No problem it would sort itself out I told myself.

By the time I circled back to it again however, and I felt something different, but something familiar.

When I was a kid of about ten, I once got into a battle of wills with my parents over eating vegetables—like many kids do. I popped some broccoli in my mouth and immediately went to spit it out. At my grandparents table that wouldn’t do, I was told to finish it rather than spit it out. Defiantly, I kept chewing, and chewing, and chewing, and chewing. Let me tell you, broccoli does not get any taster the more you chew it. In fact it only becomes almost impossible to gag down. It is so bad I never forgot the sensation.

As it turned out, that was how this Hollywood story was feeling. I had chewed and chewed so much, that there was no taste in it. I had lost passion for it, and worse still I knew there was something deeply, deeply wrong with it.

The more I forced myself to write the less I liked it. I still loved the idea and the characters, but the plot was getting less and less tasty. That was when I realized I was going to have to get rid of the words. Unlike the broccoli I could actually spit it out.

That was a hard decision though. For a writer every word constitutes time and effort put forth, and even when I have cut out scenes, I have kept them. I’ve gone back, reused, reworked scenes. So throwing away 58,000 words is painful.

It’s something no writer wants to do, and I’ve never been in this position, but there it is. Rather than trunking the novel, this one had to be taken outside and go to the great word heaven. Yep, as said I had to Old Yeller the poor thing. Like that poor lad in the book and the movie, I have to take care of the fate of my own words.

Now, that is not to say I won’t write the book, since there are elements I still love, but I need to put some more time between that old, tastless creation, and something new.

Is this something I would recommend for everyone? No, this is a big red button of last resort, and something I wouldn’t recommend to a writer who has never finished a book before. My own first book was an apprentice piece, it wasn’t pretty, but I learned a lot from doing it. Most of all I had to finish that one to know that I could.

This Old Yeller situation I find myself in now is totally different. I know I can finish a book. I know I have the craft to make good stories. And just as conclusively I just know this one needs to be rebuilt from the ground up.

If you are thinking of taking your book out like this, please think carefully. Look at it critically, try several times and ways to fix it. Avoid ditching words if you can. However there is a point where you have chewed too long, there is nothing left, and you are going to have to make a sacrifice.

I finally reached that point when I realized I was chasing my tail and wasting time writing words that didn’t work.

Sorry Old Yeller. I’ve got to move on and find new words. I’ll make a New Yeller some day and think of you.

Rebelling…on all the things

MOPO_FBpage

 

The Ghost Rebellion has now been released to the general public. Yep, it is out there in the wild.

After $21,837 raised in the Kickstarter, an epic photoshoot with Michael Ward of Go ForWard, wrestling words with Katie Bryski and Jennifer Melzer, recording ten hours of audio, editing it, and all the nervousness possible, book five has made it into the world.

I was musing the other day how the Ministry of Peculiar Occurrences has truly had a weird, and peculiar journey. How it has been an organic thing, a wild unexpected ride, and a joyful thing (with a bunch of terror through in there). It started as an experimental podcast for pay (yep, that would have sunk like a lead balloon) and now is a roleplaying game, novel, short story thing.

So I can’t think of a better title for this fifth book. Not only is the whole adventure a rebellion at the whole way this book publishing thing is done, but also this book is all about rebels, the weirdos, the strange people that don’t fit in. Eliza and Wellington are both oddballs in their own way. Eliza is a woman who is an adrenalin junky, and loves explosions far too much. Wellington is a man brought up by a terrifying father, and who seeks shelter surrounded by words. They are weird and wonderful, and so is their world.

You see, the Ministry is a lot like the collection of wonderful eclectic people I have met on this journey of becoming a steampunk author. Dreamers, makers, people who have wild ideas and make them real. I never really thought about it before, but the Ministry is a collection of geeks who have made themselves a family over the five years since the first book come out.

Strangely, or maybe not that strangely, this rebel spirit fits in very well with the vibe of steampunk. The punk in steampunk is a rebel, going against the grain, doing things differently, and that is what this series has become.

And then there is the self-publishing rebellion that has been going on for the last few years, which we have joined full-tilt with this novel.

And looking ahead, only more rebellions await. It’s all exciting, hard work, but worth it. Who knows what will come after the dust has settled.

For now here are all the buying links and a little David Bowie as music for the revolution.

Print edition

Buy in print

Buy a signed copy direct from the authors

Ebook edition

Direct from the Ministry

Amazon

Kobo

Smashwords

Barnes and Noble

« Previous Page
Next Page »

Primary Sidebar