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Philippa Ballantine - Author

Award-winning Author of fantasy, science fiction, and steampunk

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5 ways to survive collaboration

appearance_2013My husband and I, Tee Morris have been collaborating together many years. First in podcasts, and then in writing. We’ve written 4 novels together (embarking on our 5th) and done countless podcasts together over ten years of knowing each other.

Back then he was just a fellow writer who also loved to podcast, it was only later it became something more…

Naturally, I’m not suggesting you marry your collaborator, but there are some tips that can be useful if your collaborator is your spouse, your friend, or a even a stranger you’ve been teamed up with on a writing project.

  1. Set a goal. When Tee and I set out to write the Ministry of Peculiar Occurrences, it was going to a be a podcast that we were going to charge for. Though it changed along they way, when we set out we knew what we were aiming for.
  2. Set roles. In the Ministry series Tee and I chose to divide the work up, with me writing the female Point of View character, and he writing the male. This was great for when we were initially starting off, and also to tell who had the final say in the chapter. We always switched to edit each others, but the person who wrote the scene had the final say on the piece.
  3. Be flexible. Things change. Though our initial ‘you write him, and I write her’ scheme worked for the first book, as a ‘Ministry style’ began to evolve we began to become a little more sure of writing in the opposite characters head. Even primitive fish evolved, so can you and your collaborator. Just make sure to talk to out this new direction.
  4. Be aware of your hard lines. In writing you get very attached to characters, sometimes to the point of obcession. If you have an idea of a character, and you know the things they will and won’t do, then communicate with your collaborator. Getting these laid out in the start of the project is best of all.
  5. Know how to argue without losing your mind. This might be the hardest to pull off. Trying to keep personal feelings out of writing, which feels like an intensely personal thing, is quite a skill. When you get into an argument, try and think like a professional, and add a dollop of objectivity. By standing outside like this, look in and listen to what your collaborator is saying. Does it advance the plot? Does it make sense in terms of the characters? Is it going to break the suspension of disbelief? Is it necessary? If the answer is ‘no’ then you are free to argue your side from the point of reason rather than feeling, and hopefully your collaborator will be able to put themselves into that ‘outside’ point of view like you just did.

If you have any suggestions for how you’ve learned how to collaborate successfully then please leave them in the comments section!

Top Five Sources of a Writer’s Procrastination (and How to Deal with It)

You may have heard of Tee Morris– I write with him, I’m married to him, and I share a daughter and three cats with him. Today as part of the Write by the Rails Endless Possibilities Blogtour, I finally let him write something on my blog.

Now Or Later Signpost Showing Delay Deadlines And UrgencyThe worst thing about being a writer is the procrastination. I’m not talking about “Writer’s Block” (that’s a whole different animal) where you know the ideas are there but nothing is wanting to come out. I am talking about that conscious choice you as a writer make to do something else, even if it is absolutely nothing, except write. If you are looking at your day, you may think “I’ve got plenty of time to get to my work-in-progress, but first…” and before you know it, that day of infinite possibilities is done. You will hear authors of varying backgrounds — those who hold full-time jobs, those who manage the family, and those who are full-time authors — talk about how they are procrastinating, and yet seem to revel in it. To be a writer, you need to be able to recognize it and actually cope with whatever it is you are having a tough time coming to grips with. Otherwise, the harder you struggle, the more time you lose and the harder you get sucked in.

So how about we take a closer look at exactly what is standing between you, your ass, your chair, and your word processor of choice?

The Internet. I am guilty of this, as is the host of this blogpost. I’ve lost count how many times social networks like Facebook, Twitter, and Instagram has eaten away at my time. But note I don’t say social media is my timesink. I say, the Internet is my timesink. In the early days of my career (not just writing but acting) I lost hours of time surfing the Internet. I could have looked into leads for my next role on stage or in television, but I was too busy “surfing the web.” The amount of time I invested in casual browsing (reading news articles, random blogposts, chat rooms, etc.) could have easily equated to a book or three. Depending on who you are following on the big two — Facebook and Twitter — you could easily lose yourself in current events and commentary. The same can be said when you are researching a specific topic for your book. You hit a pivotal scene and you might need those magic facts to add realism or validate what you have depicted. An hour rolls by, and you are still hopping from site to site, still hunting those ever elusive facts.

How do I deal with it? Time limits. Yes, we need social media to promote and connect with potential readers, and we need the Internet for research 24-7. If you are on Facebook, Twitter, or indulging elsewhere in research, give yourself one hour for the entire day. Don’t play that “Well, the hour I just spent on Facebook was for my book promotion, so this hour is for myself.” That’s a bizarre way of justifying your procrastination. You have an hour online, so make the most of it. If you are in mid-scene or mid-chapter and you find yourself in need to fact-check something, have a timer (egg timer, stopwatch on your smartphone, or even a proper analog stopwatch) and give yourself 10-15 minutes before returning to your work-in-progress. If you cannot find the answer you are looking for, make a comment or leave a note for yourself in your word processor of choice, then come back to it later. Be tough on yourself.

And yes, that 15 minutes includes time with email. Speaking of which…

Work ScheduleEmail. I am terrible with email. This is something I am working on to improve because not responding to email in a timely fashion can drive contractors (i.e. other writers you may be working on with other projects) nuts and alienate fans that are writing to you to say “Thank you for a wonderful read…”  However, in my own commitment to improving my email ethics, I’m finding myself spending lots and lots and lots of time on only one email while other await answering. Does this make me doubly-terrible in email? Why, yes, yes it does.

How do I deal with it? Keep it simple. In most situations, the email you’ve been sent, all you need to do is keep the response to a few sentences — five to ten, at the most.  Avoid being curt, be polite, always lead with a “Thank you for taking time to read my work” even when the email you receive is critical of your work (Strive to take the high ground. The view is better from there.), end with another polite “thank you” and then sign off.

If you find the answer to this email (“What are my options in publishing?” or “Do you have any ideas for panels at a con?” for example?) is a deep dive, then go on and make a deep dive; but before sending the reply, select the body of your email, copy it, and then paste it in a word processor. There’s a good chance you are looking at your next blogpost.

Housework. Ah yes, your living abode. Whether it is an apartment for two or a three floor home in suburbia, housework is open of those timesinks that truly is a tough call to make. You think “Well, I can go another day without cleaning up the kitchen…” (and as I type this, I check the sink…yep, the dirty dishes are starting to back up…) and then suddenly your dwelling provides inspiration for your post-apocalyptic novel. Maybe some authors can work within an untidy burrow. Truth be told, I am not that author.

How do I deal with it? If you let the home go, it will take you that much longer to face it. Instead of making one day the day you catch up with the house, break it up into sections. Accomplish a little bit throughout the week. Laundry one day, kitchen maintenance the next day, vacuuming the first floor and stairs the following day. This way, you can break up your work load and still have energy left over to write as opposed to attempt writing after a day-long tackling of your living space. I tend to be more productive in an organized space which is why I have to work — really work — on keeping my office & studio clutter-free. I’m getting better at that, but when the studio gets untidy I tackle it in stages, not all at once. That way lies madness. Lost only parts of your days as opposed to entire days (or several) in getting your living space back in order.

Hobbies and Other Passions. I met this lovely steampunk author who had big goals and even bigger plans for her writing career. She was running a crowd-sourcing campaign for her trilogy, wanting to raise money for its publication, and finance her vision. I admired her drive and her commitment as she even left her job to pursue writing full-time. Truly, this was dedication to one’s art and passion at its highest…

…but then I went to her blog and found no mention of her crowd-funding project, save for the quick mention of it in one (yes, one) blogpost from months prior. The rest of her blog depicted her first few months of her life as a full time writer spending a lot of time (and money, as well) working on cosplay projects. The cosplay was stunning, make no mistake. The end result was incredible; but when I saw what she had put into said cosplay, I could only think “This is why I will never podcast a novel.”

I love podcasting, as many of you know. Just yesterday, I celebrated the ninth anniversary of my very first podcast episode; but between podcasting novels and hosting The Survival Guide to Writing Fantasy, I was too busy with that passion and not writing. It was a truly “That Awkward Moment” moment when I realized I was podcasting a novel to promote my writing and hosting another podcast on the business of writing…only to discover that I wasn’t writing.

And that author? She didn’t make her crowd-sourcing goals…and returned to the job market in search of a new gig.

Yeah. That.

How do I deal with it? Earlier I mentioned time limits concerning social media and the Internet. For this procrastination, I propose time rewards. With my own conflicting passions of writing and podcasting, I set up the following reward standards: If I reach 1000 words written for the day, I allow myself an hour of both recording and editing. If I hit 2000 or more words (as, for me, 2000 words a day is always my ultimate goal), then I allow myself unlimited recording and editing on any project I’m working on. If I miss 1000 words, no podcasting.

This approach not only guarantees me the ability to hit goals, it drives me to work hard so that I can treat myself to some podcasting. My time is valuable as a writer; and if I have other passions, I should still pursue them, but only when I earn the time.

Not Your Ideal Workspace. While during a friend’s birthday party or a family holiday is hardly the right time to whip open the MacBook and start hammering out a few thousand words, there is something to be said about the excuse “Well, this is hardly my ideal workplace. I need to be in my office, a glass of Pinot within reach, Joe Bonamassa on my iTunes….”

No, I’m not joking. I have heard this given to me as a legitimate reason for not writing. They are not in their proper workspace for optimum writing.

Seriously?

How do I deal with it? What part of “writer” exactly isn’t making sense to you? Keeping tact, decorum, and etiquette in mind, if you are within reach of your laptop or anything where you can hammer out five hundred words or so (and yes, that includes a legal pad and a working ballpoint pen!), that is a good place for writing. What? You don’t have your iPod plugged in to your “Writing” playlist? Too damn bad. You’re a writer. Write! You might find yourself with a block of time where you are waiting (an oil change, waiting at the doctor’s office, commuter train) so why not make the most of that time, regardless of whom is sitting next to you or how loud the TV in the hospitality lounge has been set. You got time? You got an idea? Write.

When you factor in life at home — relationships, kids, and the full-time job — the mileage may vary on your own success with this approach, but this is exactly what is needed to conquer procrastination: recognizing and dealing with it. I may sound like I’m denying myself little distractions or being unusually strict, but that is exactly what is needed to get things done. No one else is going to be harder on you than you, so own up to exactly what it is that keeps you from writing, and face it. Those epic adventures and how-to books for self-improvement are not going to write themselves, you know?

What about you? What is your greatest source of procrastination? How do you deal with it?

Endless Possibilities Blog Tour 2014

endless-possibilities-blog-tour

When I lived back in New Zealand and started down the path of writing, I felt very alone. Things have changed back in New Zealand, they now have a speculative fiction group (SpecFicNZ), but I moved just before that happened (typical for me!). However I learned that writing doesn’t have to be a lonely job with a supportive writing group in your corner. I was delighted to find a local writing group here in Manassas, VA.

Write by the Rail is a great group of people that share the trials, the joys, and delights particular to the writing life. We have regular meetings where people talk about a range of writing related subjects, along with weekly meetings at local coffee shops which are a bit more casual.

This blogtour is our first one as a group, and we’re going to be cross-posting every Tuesday and Thursday on each others sites. My posts are going to focus on Ministry Protocol, spreading lots of samples all over. The others involved are Nick Kelly, Tamela J. Ritter, Katherine Gotthardt, Dan Verner, Cindy Brookshire, Patricia Daly-Lipe, Jan Rayl, Kristie Feltenberger Gillespie, Angela Bryce, Shay Seaborne, Mary Rosenthol, Nancy S. Kyme, Linda S. Johnston, Tee Morris, and Stacia Kelly. So you are going to get an interesting peek inside a local writing group, and maybe that will encourage you to come visit (if you are in the area), find out if there is one close to you, or maybe even start your own.

You might be surprised by the talent that is all about you- and after all, company can be a wonderful thing.

My 8 Essentials for Indie Book Success

Line of books 2012I’ve stayed pretty silent on the independent fiction endevors of my husband Tee Morris and I—not because I don’t have opinions on them. I have mentioned in a few places online that I feel the hybrid author route is the one most likely to succeed.

Heck, I have plenty of opinions, but I always like to have some statistics behind me before I start holding forth on things. I’ve also had plenty of conversations with authors I know—some who are succeeding at indie publishing, some who are not so successful, and some who haven’t tried but are in desperate circumstances due to the bizarre metamorphosis now occurring in the publishing industry.

However, after pounding our own numbers for last year, and comparing them to 2012, I am starting to get an idea of what is working for us…and since everyone is jumping in with their opinions, it’s time for the kiwi to throw her hat in the ring.

First off, the usual…your mileage may vary…these are my personal opinions take them with a grain of salt…etc etc etc…yadda yadda…

Second, these observations are from a two writer household, one full time, one holding down a full-time job, so do bear that in mind if you use these to make your own decisions.

All of that stated, I can say that our numbers from 2012 to 2013 have gone up 50% — which as a business model is not half bad. It’s not our sole writing income, but it is definitely a sizable contributor. It is something that we are going to continue to build up and another 50% would be a win in my book.

  1. You need the numbers. And by numbers I mean a large body of work. We have mixed it up with short stories, probably close to 90 between us, but I think it would need to double before it is more of a viable income. If you are doing novels then you would need less since you get more for a novel, but still that’s a lot of work so don’t quit that dayjob until you have those numbers.
  2. You need variety. Thank goodness for pen names! Don’t restrict yourself to just one genre. Bear in mind you will need to build up each pen name separately unless you want people to figure out it is you, but you should really spread yourself wide over as many genres as you think you can manage. Romance. YA. Crime fiction. Dabble…honestly—it’s fun.
  3. You need S & C. Selection and collection. Readers love series! Seriously, the more series the merrier. The first might do OK, but write a second and it’ll give the first a bump, and so on with each additional book. Also, readers like to spend time with characters they love, so when they look up your name and see a series they are comforted that you haven’t left them out to dry. Once you have series you can then bundle them neatly into collections. Make sure to knock of a small amount for those that shell out for collections, it is a nice bit of encouragement.
  4. You need patience. Alright everyone knows about Konrath and some others who is making huge bucks with ebooks…but they didn’t get there overnight. Of course there are exceptions, but from my research those that are making crazy dollars at indie publishing have also put in the hours in the basement telling friends and family to leave them alone.
  5. You need quality. Sure the erotica market doesn’t seem too discerning with cover art, but other genres are brutal if you get things like the cover and editing wrong. Some people might be able to look past it, but why take the chance? Find some professionals to help you if you haven’t got the skills. Most importantly, do not be the only person to edit your book. You need someone else. Seriously.
  6. You need to make it easy for readers. Whatever format and whatever location the reader wants to find your book, that is where it should be. It may also take more effort, but you should definitely have it available in print. The Amazon Kindle program where you sacrifice spreading your book over all platforms, for the chance to give your book away for free and increased readership, used to be really useful. I think it’s about done. I stopped doing it in 2013 and noticed no change in income. If you must do it, then use it in a series where you make the first one free.
  7. You need to keep track. Make Excel or some other program like it your friend. I keep a spreadsheet for every year, with all sales of all titles month by month. It helps me know which titles have earned back the money we put into them, and which ones have not. I also can spot trends in the different genres, which I color code on the spreadsheet.
  8. You need to remember tax. Absolutely. Do not forget this bit. Even if you are only get a car payment in a month, it adds up, and no one wants a nasty bill at the end of a year of success.

 

So this is the path Tee and I are following. If we get another 50% increase I will be very happy…if we do better than that I will be nigh on ecsatic.

What do you think? Have I missed anything you think are also essential to make decent money at Indie Publishing?

New Year, New Things

Christmas Day in WellingtonWell, 2013 is finally behind us, and though it was a rough ride, it ended nicely.

Tee, Sonic Boom and I celebrated a kiwi Christmas, which was just what we needed. We got to put our toes in the Wellington harbour on Christmas day, reconnected with family and friends, and generally relax.

Then we got home and it was -10C…ah well.

Each year I try and learn from my mistakes of the previous year—at least writing wise. So I decided I needed more of a long view in the planning process of the year. A lot of stuff was planned day to day, but I felt like I was missing out on getting the most from my time by somehow always seeming to be scrambling. So I bought a laminated 12 month calendar for the wall, and wrote on it all the commitments (like conventions) as well as all the things I wanted to work on that month for 2014.

It certainly gave me a new perspective, and I was able to plan for some projects that I have had on the backburner for some time.

I have nearly finished the first half of Immortal Progeny, my huge scope epic fantasy, with gods and monsters, so that the agent can begin pitching it.

Weather Child is in the editing process and I plan on having the ebook and paper version out on the 1st of March. The cover is be-autiful!!

Then I have a couple of other projects to get to. Two are YA titles. One is another New Zealand project that is tentatively titled Sea Witch.

In between I have several short stories and Kickstarter projects I am involved with.

As for the Ministry news…well Book Four, the Diamond Conspiracy has winged its way to our editor at Ace, and it is packed with exciting derry doings. Dawn’s Early Light comes out at the end of March…and we will have a free short story, and of course another season of Tales from the Archives to tempt our readers and listeners with. The RPG is out in the next few months and we’re super excited to see it. I am also starting to record the audio for ACX so that we can have Ministry Protocol available as an audio book.

This month I am most looking forward to going on a writer’s retreat with about ten other authors. It’s going to be fun and productive and I hope to make the most of the quiet. Alright, I admit the quiet might feel odd.

I hope you and yours came through the holiday season safe. What are you planning for in 2014?

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