• Skip to main content
  • Skip to secondary navigation
  • Skip to primary sidebar

Philippa Ballantine - Author

Award-winning Author of fantasy, science fiction, and steampunk

  • About
    • Contact Page
  • Works
    • Alien
    • The Ministry of Peculiar Occurrences
    • Verity Fitzroy and the Ministry Seven
    • The Books of the Order
    • The Chronicles of Art
    • The Shifted World
    • Anthologies and Stand Alones
    • Podcasts
  • Blog
  • Pip’s Shop
  • Amazon
  • Facebook
  • Instagram
  • TikTok

admin

Guest Post – Sometimes the Wolf Howls

EdgelandersToday I’m happy to welcome to my blog, Jennifer Meltzer the author of Edgelanders.

There is something primal inside us all, something feral and dark that relishes in the notion of freeing itself from the chains that bind us.

Whenever I think of that primal essence, of the inner-beast, I am reminded of the werewolf archetype, and of Fenrir of Norse mythology.

Son of Loki and the wolf mother, Angrboda, Fenrir was the very embodiment of destruction. When allowed to rampage, he destroyed and devoured everything in sight, simply because he could. By the time he reached adulthood, he’d grown so powerful the gods asked the dwarves to forge a golden chain strengthened by six impossible elements he would never be able to break: the nerves of a bear, the roots of a mountain, the steps of a cat, the beard of a woman, the spit of a bird and the breath of a fish. And with this impossible chain, they imprisoned Fenrir in a cave beneath the mountain, where he bides his time until Ragnarok, when it is prophesied that he will slay many a god, including the Allfather, Odin, during the final battle of this world.

On a symbolic level, the primal nature that resides in us all is so powerful, it must be chained in the deepest part of ourselves to ensure it does not overrun our lives.

But what if the beast was just as much a part of the man, as the man himself?

The beauty of the werewolf archetype, beyond the fact that there’s something intriguing about a beast who can also compose himself and with rational thought at times, is that he is driven by his own dual nature. He is fierce, powerful and just a little bit unhinged, and while there’s nothing sexy about someone so unhinged you’re worried he’ll start stalking you like prey, there is something appealing about a potential mate who’s not afraid to be reckless or take risks to ensure the survival of that which he holds dear.

Historically, wolves have a rather bad reputation. The “Big Bad” ate Red’s granny. He preyed on the three little pigs, huffing and puffing and blowing their houses down. His presence in the untamed woods filled Peter’s grandfather with so much fear he locked the boy inside the house and forbid him to go outside.

Predatory by nature, our fear of this primal beast has seen the wolf population dwindle over the centuries. This topic inspired me while writing Edgelanders, the first novel in my epic fantasy series, Serpent of Time. Centered around the U’lfer, a race of men with the ability to shape-shift into wolves and embrace their primal nature, they are a people all but extinct, and with so few mated pairs left among them, they can’t reproduce enough offspring to ensure their survival in the world.

Despite the negative image history presents us with, wolves are very protective of their own. They are pack and family oriented and it has been said they mate for life (so long as their mating is producing enough offspring to ensure the survival of the species.)

Writing about werewolves has given me the opportunity to explore the most primal aspects of man, the facets we often find dangerous and frightening. With just the right spin on the struggle between man and his inner-beast, the werewolf becomes a sympathetic character we can all relate to on some level we might not like to admit.

We are all subject to our primal nature from time to time, to the unforgivable urges of the beast within; most of us have just learned to ignore those urges and carry on as though they don’t exist. We keep that part of ourselves chained in the cavern of our soul, bound by impossible things like a fish’s breath and the roots of a mountain.

But sometimes the wolf howls strong, and in those moments we remember and know that one day we must answer the call, embrace the beast and let go our inhibitions.

 

Jennifer MelzerBio: Jennifer Melzer spent the majority of her life as a writer denying she actually liked to write romance, only to wake up one morning and discover every single tale she’d ever written somehow revolved around the heart. She has since given into the whim.

She resides in northeastern Pennsylvania with her husband, daughter, a bunch of dragons and a dog who thinks he’s a wolf. She dreams nightly of laying on the beach and watching stars fall over the Atlantic Ocean.

Website: jennifermelzer.com

Twitter: jennybeanses

Facebook: https://www.facebook.com/jennifermelzerauthor

Taking it to the streets

fist_riot-1Being a published author is a delicate balancing act; you want to be easy to work with, but you certainly want to be treated with respect. To do that sometimes you swallow problems that go on behind the scenes. It’s not different to any other kind of business dealings really, except authors are their own brand that can be easily damaged that can ruin careers.

So when Phil Foglio took his problems with his publisher, Tor to the street last week, I was one of those who was kind of surprised…at least at first.

On his blog, he ripped off the bandage in public to reveal what most writers do not care to; sometimes things don’t go to plan. He hadn’t heard from his editor at Tor for nearly a year, and neither had his agent.

It’s business, things happen in business, but writers are afraid of labeling themselves ‘problem children’ by talking about what goes on with the gears get gummed up. If they do it is with their agent, or perhaps their authors friends on back channels or while at the bar in conventions.

Phil went against all that.

Miscommunication occurs often. People have different expectations, life problems happen, things get forgotten, spats and arguments happen. Writers might not have the same reputation for breakups that bands do, but they do happen. The fact is publishers and agents break up with authors all the time and readers seldom notice.

That’s a good idea.

To my mind there is no need to discuss the spats that occur behind closed doors. Fans, listeners and readers do not need to know that (it probably disrupts their enjoyment of a book knowing the ignominious background), but what happens when there is a more serious problem?

What happens if you have an issue with a publisher that begins to become apparent to your readers? ‘When is the next book coming out?’ was I am sure the clarion call that Phil was hearing all the time, and I am positive that eventually having heard nothing for a year, he just got sick of being unable to respond to those questions.

I would hope he discussed all his options with his agent thoroughly—I would bet for sure he did.

However the Foglios are in an enviable position; they have multiple Hugos, and a huge online following (just look at the massive amounts of money they raised from their latest kickstarter). Even in the worst case scenario, if they blew up their relationship with Tor, they would still have their self-publishing empire to fall back on.

Most writers do not have that luxury or that power. Big publishing is still an important game in town, and I have heard many rising authors talking about ‘wanting to impress a gatekeeper’ so they still matter. So for them taking it to the streets is not an option. To do so would mean blowing their career up on the launch pad.

Yet there is no getting away from it; for Phil it actually started a conversation they had wanted to have for a year.

They did finally did get a response from their editor at Tor—so in the end taking it to the streets at least got them further down the road than they were really at.

Yet it is one that a less accomplished, less popular, less awarded, less successful indie published, author would be have to be Hemming-way level drunk to consider. My fear is that other authors will think this is an option for them. Seriously, I hope no other author takes this option unless they are the at the same point at the Foglios. Ever.

Work your craft. Be as professional as you can. And above all don’t burn your bridges unless you never want to use it again, and you have other rock-solid ones you can take.

 

COVER REVEAL – Weather Child

This is a story that is very dear to my heart. A tale of magic, history and complicated love—all set in New Zealand.

Weather Child was a story I podcast many years ago, and I got many wonderful comments on it. I have taken down all the podcast versions now however, as the new edited version is different. I do plan on making an Audible version available after the print and ebook.

I asked Alex White of the Gearheart, who has done many of my covers, to shoot me something to capture the power of Faith Louden, the main character, and the Weather Child herself. He knocked it out of the park, giving me something so beautiful I could not have imagined it. He and his team outdid themselves I think you will agree.

The team who helped Alex make the magic happy were:

Model: Jennifer Nye
Typeface: Renee Chantel White
Crew: Matt Weber, Kelsey Prater, Michael Bradley, Beth Hayes Bailie

The book itself will be available 1st of March, and it is the first in a planned series that I have had in my head for years.

New York publishing said no American readers would be interested in reading stories set in New Zealand, so I am setting off to see if they are right. I certainly hope not.

Never alone. Never apart.

They are the Awakened, a unique breed of people in a remote corner of the world. Faith is one of these gifted carriers of the Seraphim; and in return of her unconditional love, her Seraphim grants her powers of incredible potential.

But not all carriers embrace their blessing.

Jack loathes being an Awakened. He never asked for it, his Seraphim keeping him alive even in spite of his desire to die. Not even a great war could rid him of this curse.

Now a magician of incredible ability and a walking dead man must find a way to work together to save the Seraphim. Someone covets the power of the Awakened, and will not stop until that power belongs to him.

Weather-Child-Cover

 

Productivity and Your Writerly Self

Productivity Thermometer I don’t believe in New Years resolutions; promises to yourself that are destined to fail. I do however believe in re-organising yourself, a realignment if you will. For the last few years of being a full-time writer I have been struggling with time management and productivity. The move from a traditional desk job, where the boss tells you what they expect each day, to a job where you are at home by yourself with the ability to distract yourself with a thousand things, has been a bit of an adjustment.

Each year I have got alittle better at it, but this year I have set out to make a concerted effort to put the final screws on productivity.

  1. Keep a calendar and deadlines. Not just one on your computer, one on your wall. I got a laminated wall planner, this year, and have written on it, not only commitments, but my own deadlines. It gives you the bigger picture of how your year ahead is going to go. I have worked out (finally!) that I can write on one book while editing another—that’s it. Thanks to the calendar being laminated I can shift these plans around if something comes up.
  2. Keep your online time limited. Give yourself time to do that required online marketing, but make sure there is no bleed over. You don’t have any books to sell or market if you don’t write. I give myself an hour in the morning and an hour in the evening to deal with email, Facebook and all those other little things that nibble away at your time. Those of you who like the Pomodoro method…four per day pomodori should do the trick.
  3. Push Yourself. This is connected with point #2. Once you sit down to right, put yourself on the right track. At the recent writing retreat I attended I noticed a couple of ways people did this. Putting in the headphones and playing music to block out the world. Using a Pomodoro timer. Mine, is Write or Die. This is a program that makes you concentrate by punishing you if you don’t write. If you stop for too long the program screen turns red, then it starts making awful noises. If you are really bold, you can set it to kamikaze mode and it will eat your words. Yeah…that’s called motivation.
  4. Learn to love editing. I’ve found the way to get through writing, and put words on the page is not to care about how damn perfect they are. By using Write or Die I can achieve that. Only later do I come back to edit what I have written. It’s like making a wire frame, once you have that, you can hang other things on it, but without the frame you are truly stuck.
  5. Do research first. I am terrible at this. I start writing, then I need to find out the land speed of a swallow, and before I know it I am following the rabbit hole to camel wrestling. If I have an idea of what I am writing, I will now research before and then be prepared for what lies ahead.

What about you, do you have any hacks or tips for being productive? How do you avoid distraction and get things done?

Literary Time Travel

Hope and HardshipToday as part of the Write by the Rails Endless Possibilities Blogtour, I’m happy to introduce Linda D Johnston to you all.

I believe in the importance of the written word and its role in our history, whether the author is a famous statesman, a poet, or a woman inviting her sister to a birthday celebration.

This past June I had a chance to see an example of such a birthday invitation, written in Latin, found at Vindolanda, the site of a Roman fort just south of Hadrian’s Wall. The fort, first settled in 80 A.D., guarded the northernmost frontier of the Roman Empire in England and housed soldiers and their families.

When Claudia Severa wrote the words, “I shall expect you sister. Farewell, sister my dearest soul, as I hope to prosper, and hail,” to Suplicia Lepidina, she could never have imagined that 1900 years later so many people would see them and learn so much from the tiny wooden tablet they were written on. Historians have gained a much better understanding of how the people at Vindolanda lived from the hundreds of additional tablets they found at this site that predates Hadrian’s Wall by about forty years.

Whether written on wood or paper, words from everyday individuals become part of the human story, a touchstone to the past. In my own research, I have many opportunities to read personal diaries and letters from the past.  Each document has sent me on an adventure where I encountered someone new in a place I might otherwise not have discovered. Will electronic documents have the same impact as something tactile like wood or paper? I am not sure.  But one thing is certain, whatever medium we use, we must choose our words carefully, as Claudia did. Who knows who might see them hundreds of years from now?

Linda Johnston

 

Thank you, Pip, for letting me be a guest today!

Writer and artist Linda S. Johnston enjoys combining history, art, and nature in her writing.  Her first book, Hope Amid Hardship: Pioneer Voices from Kansas Territory, is a collection of pioneer writings on the happy side of life in early Kansas and includes watercolor sketches throughout. To learn more about Linda and her writing, please visit www.lindasjohnston.com

« Previous Page
Next Page »

Primary Sidebar