• Skip to main content
  • Skip to secondary navigation
  • Skip to primary sidebar

Philippa Ballantine - Author

Award-winning Author of fantasy, science fiction, and steampunk

  • About
    • Contact Page
  • Works
    • Alien
    • The Ministry of Peculiar Occurrences
    • Verity Fitzroy and the Ministry Seven
    • The Books of the Order
    • The Chronicles of Art
    • The Shifted World
    • Anthologies and Stand Alones
    • Podcasts
  • Blog
  • Pip’s Shop
  • Amazon
  • Facebook
  • Instagram
  • TikTok

Rants and realities

Art or Commerce? How about both?

After jumping in with both feet to the Authorial Darkside last week, I am going to throw myself on another writerly hand-grenade this week.

Arguing writersArt vs Commerce.

Among many arguments writers have engaged in over the centuries, none have raged harder and deeper than which of these is more important.

Art is all about passion. If you don’t have art then what is the point of writing.

Commerce means you can exist as a writer. If you can’t make a living off it how can you survive as a person let alone an artist.

To my way of thinking it is all totally subjective, based on who you are, and what you want to do with your writing. Is it just about getting out ‘the novel I have inside me’, or do you actually want to make a living at this?

For those with the comforts of a day job, where writing is a hobby or a daydream, the ability to have firm beliefs in everything being about art is entirely possible. They can talk at great length, how everything must be about passion, and art. People who don’t need to take into account pesky things like living and eating, can very well look down their noses at people who write to market.

Personally, I think people would be very surprised at the number of books that are written to market, mashing up genres to produce some very popular series that folks really probably think were entirely passion productions.

Very few authors will announce they wrote to market though (it tends to be whispered to other authors at conventions, or maybe a bit more loudly at the hotel bar), because that somehow implies that they are not invested in a project, and that they are filthy capitalists whoring out their muse.

Believe me, if you spend months and months in writing, editing and marketing a property, you are invested in it right up to the eyeballs. As to the muse, well I have never entirely believed in that comfortable imagery writers indulge in. Inspiration can come from any number of tiny details in day to day life, I don’t think it comes from anywhere otherworldly.

Here’s the truth of it. Many, many writers have had to walk away from writing, or even died while waiting for some commerce to come their way. My favourite poets died waiting to be paid for the work they did. (I always thought it was a cruel trick of fate that their best career move was shuffling off their mortal coil.)

So yes, the people who make their living off writing do not have the luxury of waxing philosophical about art. They make it about work. Craft and passion are damn useful, but the writer is the master of words, the words are not the master of him or her.

Art and passion are all very well, but books (at least the ones you plan to sell) must also be a commodity.

People on the art side, like to flog the commercial writer with the implication they are a sell out…but I think the real reason is, it makes them feel superior. Even if their book never sells enough for them to make even one car payment, they can at least fall asleep at night, knowing that they make ‘ART-DAMNIT’, unlike those filthy, successful people who actually sell their books.

So in short, you need both. Art is all very well, but no one wants to write a book that only their friends and family read. Anyone who tells you so is just plain out lying.

As for writing just commercially, with not one flicker of investment in the project. I tried it once…it is like pushing a stone up hill. I ended up pulling the eject seat on that short story, and I cannot imagine having to do that for a whole novel.

However, a passion project that I know is never going to sell, I also will not pursue. I have a virtual desk draw full of lost concepts that I might enjoy writing, but I know my time is better spent finding a story I can enjoy writing and sell.

So find a project that is both commercially viable and one that you have some passion and interest in. If anyone turns up their nose at your success then just understand…it’s helping them sleep at night knowing that they are totally more artistic and better than you.

Welcome to the Authorial Darkside

Portrait of a Bad ManIt ain’t all sunshine and unicorns out there cupcakes.

I’ve written plenty of blogposts about how awesome the community of writers and podcasters are….and that still holds true…in most cases. However now I think it is time to address the nasty shadows in the corner of your sunny writing room.

There are people out to get you and bring down your brand. You might not know their names, and they might not know yours, but sooner or later your paths will cross. You might be surprised when a strange fellow writer you meet at a convention suddenly says ‘you aren’t fit to lick my boots’. Literally. That’s exactly what they will say. To your face.

The first time it happens, it will feel like a slap. You’ll be left dazed, and wonder ‘what did I do to them?’ or ‘why on earth would they say something like that to me?’ If they are ‘a big name author’ you may just want to flee the field altogether wondering if you will ever be able to make it in publishing.

But don’t. That would mean they won.

Here’s the unpleasant truth; not everyone subscribes to the ‘rising tide lifts all boats’ idea.

For some authors trashing other authors is a way for them

  • to feel better about themselves
  • to guarantee themselves publication (well at least in their head)
  • to make themselves look like ‘big man on campus’ to their cronies.

They will take joy in belittling other authors on panels, ignoring them in social situations, or taking to their blog to discuss the totally irrelevant clothing choices of female authors. And yes, we are talking about professionally published authors, some of whom have been in the business for decades.

For some reason, some writers think that your success means there is a little less in the pool for them. They get competitive, want to know sales figures, want to know how well everyone is selling, and can set out the trash people they feel are ‘threatening’ them. They then take to their blogs or open forums, in veiled or blatant ways to stick a stick in your spinning wheel.

There are enough challenges in being a jobbing writing: pulling in a pay check, taxes, selling a manuscript, hell just finding time to write, that we don’t need to rip each other apart. There are so many other ways to help your fellow author, build something, share readers and grow each others sales.

Before you freak out, and if this is your first rodeo, I want to assure you that in all my years writing, there are only a handful of people I have met that have been like this. The kind, helpful people who realise community is a more positive way to go really do outnumber those thrashing around trying to get attention by just being nasty.

Personally, I want to use whatever influence I have to help those with the attitude of the former. The others I will simply ignore and not bother wasting oxygen on. I suggest you do the same as well should you run across those unfriendly beasts.

In parting, my I suggest this as a way to fight the darkside….

promotnotbash

The future of publishing is here…again

The future I remember my very first brush with self publishing. I wasn’t a writer then, heck my reading was still far from the fantasy and science fiction genre.

In a small mall in Wellington, New Zealand, there was a lot of empty space in the late 1980s. Times were lean, but I recall vividly that there was one man who had rented out the smallest space in his mall, and filled it with books.

Well, sort of.

Actually, with one book. His. The whole of this small space was full of his book, floor to ceiling. Even as a kid I recall thinking, ‘how the hell is he going to sell all these?’ I imagined him building houses with them, and just how awful he must be around the Christmas season giving them to every one of his relatives. I bet his family all got a copy…heck three copies…of his book. Every. Year.

I often wonder what happened to that guy? Is he still around? Maybe he took his precious book and put it out into the e-world. Maybe he just got burnt by that experience and turned into a bitter old man using old copies of it for toilet paper.

I guess he was the hipster of self-publishing, and I kinda wish I could remember what the heck his book was about.

He was so far ahead of the curve he couldn’t see the horizon. Now every man and his dog, and his dog’s flea has a book, and they are all up for sale.

What got me thinking about him was this article by Mark Coker, nice guy and founder of Smashwords, and nodding my head. I wonder if the guy with the one book bookstore is around to take notice.

For me the highlights are

  • It’s all about the basics. Write good stuff. No matter how much you write, if it isn’t good, then you’re never going to get people back to buy your next thing.
  • Production takes on increased importance in 2014. However, those that can produce at a decent clip are going to be at the top of the wave. So no slacking off!!
  • A larger wave of big-name authors will defect to indieville. Hybrid authors! Yes, big names realise that they can leverage that big name for their back list, or short stories and make money….in fact more of a slice of that money than even they are used to. Yay, more hybrids in the pool!

The things I am still noodling through as to how to leverage

  • Multi-book collaboration. Our daughter is mad keen for this series called the Cat Warriors. There are a huge amount of books, always coming out, and with all kinds of guides to go with them. At first I was boggled as to how one author could possibly do all that. The answer is, she doesn’t. They do. Erin Hunter is actually four authors. So I can see how this kind of collaboration could work, just not sure how to do it myself.
  • Subscription ebook services will change the game. How this will serve authors is a concern. Like Harlan Ellison says money should come to the author, but as long as this happens then this could be an exciting development that will make fiction accessible. I’ll wait and see on this one.

This article makes me excited, nervous, and then excited again. It’s important to keep on top of new developments, because this thing is moving like the Flash.

So stay light on you feet, because I know one thing for sure; I don’t want to be the one book bookstore guy. Neither do you.

Taking it to the streets

fist_riot-1Being a published author is a delicate balancing act; you want to be easy to work with, but you certainly want to be treated with respect. To do that sometimes you swallow problems that go on behind the scenes. It’s not different to any other kind of business dealings really, except authors are their own brand that can be easily damaged that can ruin careers.

So when Phil Foglio took his problems with his publisher, Tor to the street last week, I was one of those who was kind of surprised…at least at first.

On his blog, he ripped off the bandage in public to reveal what most writers do not care to; sometimes things don’t go to plan. He hadn’t heard from his editor at Tor for nearly a year, and neither had his agent.

It’s business, things happen in business, but writers are afraid of labeling themselves ‘problem children’ by talking about what goes on with the gears get gummed up. If they do it is with their agent, or perhaps their authors friends on back channels or while at the bar in conventions.

Phil went against all that.

Miscommunication occurs often. People have different expectations, life problems happen, things get forgotten, spats and arguments happen. Writers might not have the same reputation for breakups that bands do, but they do happen. The fact is publishers and agents break up with authors all the time and readers seldom notice.

That’s a good idea.

To my mind there is no need to discuss the spats that occur behind closed doors. Fans, listeners and readers do not need to know that (it probably disrupts their enjoyment of a book knowing the ignominious background), but what happens when there is a more serious problem?

What happens if you have an issue with a publisher that begins to become apparent to your readers? ‘When is the next book coming out?’ was I am sure the clarion call that Phil was hearing all the time, and I am positive that eventually having heard nothing for a year, he just got sick of being unable to respond to those questions.

I would hope he discussed all his options with his agent thoroughly—I would bet for sure he did.

However the Foglios are in an enviable position; they have multiple Hugos, and a huge online following (just look at the massive amounts of money they raised from their latest kickstarter). Even in the worst case scenario, if they blew up their relationship with Tor, they would still have their self-publishing empire to fall back on.

Most writers do not have that luxury or that power. Big publishing is still an important game in town, and I have heard many rising authors talking about ‘wanting to impress a gatekeeper’ so they still matter. So for them taking it to the streets is not an option. To do so would mean blowing their career up on the launch pad.

Yet there is no getting away from it; for Phil it actually started a conversation they had wanted to have for a year.

They did finally did get a response from their editor at Tor—so in the end taking it to the streets at least got them further down the road than they were really at.

Yet it is one that a less accomplished, less popular, less awarded, less successful indie published, author would be have to be Hemming-way level drunk to consider. My fear is that other authors will think this is an option for them. Seriously, I hope no other author takes this option unless they are the at the same point at the Foglios. Ever.

Work your craft. Be as professional as you can. And above all don’t burn your bridges unless you never want to use it again, and you have other rock-solid ones you can take.

 

Productivity and Your Writerly Self

Productivity Thermometer I don’t believe in New Years resolutions; promises to yourself that are destined to fail. I do however believe in re-organising yourself, a realignment if you will. For the last few years of being a full-time writer I have been struggling with time management and productivity. The move from a traditional desk job, where the boss tells you what they expect each day, to a job where you are at home by yourself with the ability to distract yourself with a thousand things, has been a bit of an adjustment.

Each year I have got alittle better at it, but this year I have set out to make a concerted effort to put the final screws on productivity.

  1. Keep a calendar and deadlines. Not just one on your computer, one on your wall. I got a laminated wall planner, this year, and have written on it, not only commitments, but my own deadlines. It gives you the bigger picture of how your year ahead is going to go. I have worked out (finally!) that I can write on one book while editing another—that’s it. Thanks to the calendar being laminated I can shift these plans around if something comes up.
  2. Keep your online time limited. Give yourself time to do that required online marketing, but make sure there is no bleed over. You don’t have any books to sell or market if you don’t write. I give myself an hour in the morning and an hour in the evening to deal with email, Facebook and all those other little things that nibble away at your time. Those of you who like the Pomodoro method…four per day pomodori should do the trick.
  3. Push Yourself. This is connected with point #2. Once you sit down to right, put yourself on the right track. At the recent writing retreat I attended I noticed a couple of ways people did this. Putting in the headphones and playing music to block out the world. Using a Pomodoro timer. Mine, is Write or Die. This is a program that makes you concentrate by punishing you if you don’t write. If you stop for too long the program screen turns red, then it starts making awful noises. If you are really bold, you can set it to kamikaze mode and it will eat your words. Yeah…that’s called motivation.
  4. Learn to love editing. I’ve found the way to get through writing, and put words on the page is not to care about how damn perfect they are. By using Write or Die I can achieve that. Only later do I come back to edit what I have written. It’s like making a wire frame, once you have that, you can hang other things on it, but without the frame you are truly stuck.
  5. Do research first. I am terrible at this. I start writing, then I need to find out the land speed of a swallow, and before I know it I am following the rabbit hole to camel wrestling. If I have an idea of what I am writing, I will now research before and then be prepared for what lies ahead.

What about you, do you have any hacks or tips for being productive? How do you avoid distraction and get things done?

« Previous Page
Next Page »

Primary Sidebar